9/8/2023 0 Comments Slo mo cam![]() ![]() Therefore, you’ll need artificial lighting to compensate for the lack of available natural light when you’re shooting in slow motion. Opening up the aperture of your camera or the increasing the ISO won’t work in this instance, as it can compromise the quality of the videos. If there’s insufficient available light, your slow motion videos will come out dark and lackluster. With a higher shutter speed, less light can penetrate your lens. Recording videos at high shutter speeds has its trade-off. For example, if you’re trying to shoot at 60fps, get as close to 1/120th of a second if your camera permits it. Make sure that the denominator of your shutter speed is double your frame rate. When shooting in slow motion, use less motion blur so that the images will stay noticeably longer on the screen. This concept was founded on the principle of overcranking used back in the days of traditional filmmaking when camera operators had to literally crank the film reel to produce a slow motion video. That’s at least four times higher than the frame rate of a typical camera. If you want to achieve a noticeable yet natural-looking slowmo effect, you should get a slow motion camera that shoots at least 120 frames per second. Videos at regular speed are typically shot at 24 to 30 frames per second. To avoid choppy, amateurish slowmo effect, here are several slow motion shooting techniques to keep in mind: Shoot at Least 120 Frames Per Second To know more about creating a slow motion effect by overcranking and using Adobe After Effects, watch this video tutorial by Rich Harrington of AdoramaTV: Despite employing the same principle as the first option, this will make for a more fluid video. This will combine frame 1 and frame 2 into a new frame.
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